A novel is bigger than any model’s memory
Why ProseSpun keeps cards, rolls up summaries, and keeps each character true to the page you’re on.
Notes on how ProseSpun works, and why it works that way.
Why ProseSpun keeps cards, rolls up summaries, and keeps each character true to the page you’re on.
How to use AI without losing your voice: never let a suggestion change your page unseen. Compare it, count the words, keep only what reads better.
How to start writing a story when you have the idea but not the sentences: write it down plainly, draft it flat, then make it better.
How to add detail to your writing: keep your sentence, find the moment, and fill in only what the story has set up. A worked before-and-after example.
How to write story beats: one line per thing that happens, in order, before any prose. Examples, a before and after, and how to draft from a beat.
How to write dialogue that sounds real: punctuation, dialogue tags, action beats and subtext, each with a before-and-after example you can try today.
How to make a story bible for your novel: one short entry per character, place and group, ranked traits, every name, and a setting paragraph.
How to avoid continuity errors in writing: keep a ledger of what changes and in which scene, then revise each scene against what was true at that point.
How to keep track of characters in a novel: note who is in each scene and where, then read it as a map to find dropped characters and floating scenes.
How to improve your sentences without changing your story: stronger verbs, less filler, better order and varied length, with before-and-after examples.
How to describe a scene when your sentences come out flat: five practical techniques, each with a before-and-after example you can use today.
How to write a character arc: name the belief that changes, test it in three scenes, and show the turn in action. Positive, flat and negative arcs, with examples.
Past tense vs present tense in fiction: what each does to a scene, a ten-minute test to choose, and how to find and fix accidental tense shifts.
First person vs third person: what each point of view gives a story, close third vs omniscient, head-hopping, and a ten-minute test to choose.
How to outline a novel in four passes: a one-line premise, an ending, five turning points, then a chapter list. With a template you can copy.